Senin, 10 Februari 2014

[Q479.Ebook] Download Finite Elements in Solids and Structures: An introduction, by R.J. Astley

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Finite Elements in Solids and Structures: An introduction, by R.J. Astley

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Finite Elements in Solids and Structures: An introduction, by R.J. Astley

This is very much a teaching text intended as an accompaniment to an advanced undergraduate engineering course. In content, the book primarily deals with static problems in solids and structures, but also leads into dynamics, while focusing unequivocally on the needs of students rather than researchers and professionals.

  • Sales Rank: #5926319 in Books
  • Published on: 2008-06-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x .82" w x 6.10" l, 1.12 pounds
  • Binding: Paperback
  • 364 pages

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Sabtu, 08 Februari 2014

[V322.Ebook] Download Something happened, by Joseph Heller

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Something happened, by Joseph Heller

This is Joseph Heller's first book after CATCH-22, and in it he explores the wartime generation's new predicament...as husband, progenitor, provider and survivalist. What happened to all the youthful dreams and those who peopled them? Gone to ruin. Because Heller is an architect of his age, his comments on the rubble contain more irony than perhaps he realizes.

  • Sales Rank: #5267525 in Books
  • Published on: 1974
  • Binding: Hardcover

Review
"It is splendidly put together and hypnotic to read. It is as clear and hard-edged as a cut diamond. Mr. Heller's concentration and patience are so evident on every page that one can only say that "Something Happened" is at all points precisely what he hoped it would be" -- New York Times Kurt Vonnegut

From the Publisher
11 1.5-hour cassettes

About the Author
Joseph Heller was born in 1923 in Brooklyn, New York. He served as a bombardier in the Second World War and then attended New York University, Columbia and Oxford University, the last on a Fullbright scholarship. He taught for two years at Pennsylvania State University, before returning to New York, where he began a successful career in the advertising departments of Time, Look and McCall's magazines. It was during this time that he had the idea for Catch-22. Working on the novel in spare moments and evenings at home, it took him eight years to complete and was first published in 1961. His second novel, Something Happened was published in 1974, Good As Gold in 1979 and Closing Time in 1994. He is also the author of the play 'We Bombed in New Haven'. Joseph Heller died in 1999.

Most helpful customer reviews

81 of 102 people found the following review helpful.
An existentialist Masterpiece
By Bill R. Moore
The title of this book by Joseph Heller is "Something Happened." Another title could have been "Life: The Book." This is one of the very, very few books I know that accurately and realistically portrays real life - life as it actually is - warts and all. The book I read immediately before this one was James Joyce's much-touted masterwork, Ulysses. Now, that book can, and has been, described the same way by many, and it is, in many ways, the very last word on realism. That said, it has much in common with this book, and Something Happened is, in many ways, the better book. Classicists and romanticists may well prefer Joyce's novel and consider it downright blasphemy to have it compared with this modern masterwork, but the fact is, this is a very good and much underrated book, and will probably be preferred by post-modernists and existentialists over Ulysses. The book is very long - nearly 600 pages - and does have a tendency to ramble at times - often seemingly without a point. It's written in the style of a first-person narrative, and this is one of the few books where you truly get into the head of the main character. That is the main difference between this book and Ulysses: unlike the latter work, which follows the adventures of three separate characters as they follow parallel courses and sometimes intertwine, Something Happened consists entirely of one character's thoughts and actions. And, since it deals only with other people insofar as they relate to him, it can get a bit solipsistic at times - however, that said, Heller's intention with this book (I think) was to accurately and realistically describe the thoughts in the head of a fairly normal, everyday American male. He does a rather remarkable job of this. The only real criticism of the book I can make is that it does tend to repeat itself quite a lot at times: certain situations are mentioned again and again with little or no variation, often seemingly for no reason - but, as anyone knows, this is, indeed, how most people's minds do work. The main character, Bob Slocum, is not a perfect person - but he is a REAL person. This is not another cardboard cutout character that we see all too many of: this is a real living, breathing flesh and blood character, warts and all - HUMAN, just like us. Many of the situations he finds himself in - both in the workplace and domestically - as well as the thoughts and emotions he finds himself experiencing, will no doubt hit home with a great many readers. Although Heller more than likely constructed Slocum to portray a certain generation of people - the anguished, confused veterans of the war - he is applicable to the Average Joe: he's the true Everyman. Heller seeks, in this book, to answer the real question: What, just what, DID happen, to that great, blinding glow of post-war euphoria? Or, as Roger Waters put it, "Whatever happened to the post-war dream?" Where's the American Dream? Where's all the sun and rainbows? WHAT HAPPENED? Something did.
I highly reccommend this book. It is a masterpiece, and criminally underrated. It's a shame that Heller's reputation rests almost solely upon Catch-22, when he has so many other notable and distinct works, such as this one. As another reviewer pointed out, I believe this book was overlooked by Modern Library when they made their list of the Top 100 Books of the 20th Century: it truly belongs on it. Don't make the mistake of overlooking it.

18 of 21 people found the following review helpful.
Excellent characterization, but often slow-going
By Jeana Malcolm
I suppose the first thing that one should know before reading this book is that the title is a bit of a misnomer. I spent the entire 569 pages of this book waiting for something to, in fact, happen, but nothing does until the very end (and when it does the book pretty much comes to a screeching, unapologetic halt then and there).

If you can get past that, you'll do fine with this book. It is written entirely in stream-of-conciousness, from the point of view of Bob Slocum's confused and lonely mind. Truly the best thing about this book is the characterization of Bob himself; his sheer humanity is such that the more you get to know him, the harder it gets to be sure whether you should sympathize with him or depise him. It is often easy to do both simulataneously. This book takes you into the darkest corners of the mind of someone who on the surface would seem to be an average guy, and really makes you think about yourself and other people you know, the kinds of secret thoughts that everyone has and that everyone is ashamed to have.

Most of the book focuses on Bob's relationship with his family; his unnamed wife, son, and daughter and his brain-damaged son Derek. There are some very poignant moments here, although it does tend to stagnate in places where he simply reiterates the same point over and over again. He also has a tendency to jump back to certain specific details of his past for seemingly no reason at all and retell the same bits multiple times, and in sets of parantheses which often last for pages. We are, however, rewarded for our patience with these flaws whenever Bob tells us of his work life, for it is here that we get a taste of the wry humor and snappy dialogue that made Catch-22 such a joy to read.

I gave this book three stars because I did enjoy it, but it truly was difficult to get through at times. There is a lot to like here, but there is also a lot to get frustrated about, and there are moments when the bad outweighs the good. Still, any fan of Heller should add this to their collection - just be sure to read Catch-22 first.

40 of 50 people found the following review helpful.
A hard but rewarding read
By Jon
A warning to all readers: This is a hard novel. It has none of Catch-22's hilarious, irresistably warm characters and there is no actual plot to speak of. It consists almost entirely of the main character's thoughts, on his past, his work and his family.
This book is certainly not pretty. Bob slocum is sexist, racist, homophobic, a womaniser and a bully, as are most of the people who inhabit his world. But he is more real than you can ever imagine.
Despite my criticisms, Something Happened is undoubtedly a work of Genius. Heller shatters the American Dream. It is a larger than life portrayal of the same world Holden Caulfield (of The Catcher in the Rye) is so dissillusioned with.
While you might at times get frustrated with the book's repetition and seeming lack of direction, stick it out - it's definitely worth it. You'll be rewarded with a true and moving insight into the darker side of modern society (even truer now, 40 years on).
Despite attempting a far sadder novel here, than with Catch-22, Heller certainly hasn't lost any of his wit. A hard but ultimately rewarding read, definitely worth a look.

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Kamis, 06 Februari 2014

[I604.Ebook] PDF Ebook 30 Days to a More Powerful Vocabulary, by Wilfred Funk, Norman Lewis

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30 Days to a More Powerful Vocabulary, by Wilfred Funk, Norman Lewis

Elevate your vocabulary in just thirty days with this informative, fun, and accessible guide to utilizing powerful language.

Do you occasionally misuse or misunderstand certain words? Do you sometimes find yourself at a loss to express exactly what you mean? Are you tired of having people seemingly talk “above” you? If you answered “yes” to any of these questions, then 30 Days To A More Powerful Vocabulary is the perfect solution. Millions of people have improved their academic performance, job skills, and self-esteem, just by spending fifteen minutes a day completing the simple exercises and self-tests within this bestselling guide. You will learn, step-by-step, how to increase your language power with word roots, find persuasive words to sell your ideas, and learn new words daily with a full pronunciation key. Whether you’re a student or simply wanting to expand your vocabulary, you can enjoy a more intimate comprehension of the English language in just one month!

  • Sales Rank: #14771 in Books
  • Published on: 1991-03-15
  • Released on: 1991-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x .70" w x 4.13" l, .28 pounds
  • Binding: Mass Market Paperback
  • 256 pages

About the Author
Norman Lewis was an author, grammarian, lexicographer, and etymologist. Lewis was a leading authority on English-language skills, whose bestselling 30 Days to a More Powerful Vocabulary published by Pocket Books in�1971 promised to teach readers to improve their skills in fifteen minutes a day. He started his teaching career at New York University and the City College of New York. From 1964 to 1995, he taught English—including grammar, etymology, and vocabulary—at Rio Hondo College, a two-year community college in Whittier, California. For more than a decade, he was also the chairman of Rio Hondo’s communications department.

Excerpt. � Reprinted by permission. All rights reserved.
Give Us Fifteen Minutes a Day

Your boss has a bigger vocabulary than you have.

That's one good reason why he's your boss.

This discovery has been made in the word laboratories of the world Not by theoretical English professors, but by practical, hard-headed scientists who have been searching for the secrets of success.

After a host of experiments and years of testing they have found out:

That if your vocabulary is limited your chances of success are limited.

That one of the easiest and quickest ways to get ahead is by consciously building up your knowledge of words.

That the vocabulary of the average person almost stops growing by the middle twenties.

And that from then on it is necessary to have an intelligent plan if progress is to be made. No hit-or-miss methods will do.

It has long since been satisfactorily established that a high executive does not have a large vocabulary merely because of the opportunities of his position. That would be putting the cart before the horse. Quite the reverse is true. His skill in words was a tremendous help in getting him his job.

Dr. Johnson O'Connor of the Human Engineering Laboratory of Boston and of the Stevens Institute of Technology in Hoboken, New Jersey, gave a vocabulary test to one hundred young men who were studying to be industrial executives.

Five years later, all, without exception, of those who had passed in the upper 10 per cent had executive positions, while not a single young man of the lower 25 per cent had become an executive.

Some of the factors that lead to success can be measured as scientifically as the contents of a test tube, and it has been discovered that the one and only common characteristic of outstandingly successful people is "an extensive knowledge of the exact meaning of English words."

Vocabulary is one indication of intelligence. Learning power measurably sharpens when vocabulary increases. Here's the proof.

Two classes in a high school were selected for an experiment The ages and background of the members of both groups were the same, and each group represented a similar cross-section of the community. Otoe, the control class, took the normal courses. The other class had, in addition, special and rigorous vocabulary training. At the end of the period the grades of the students in the vocabulary class surpassed the grades of the members of the control group, not only in English, but in every other subject, including mathematics and the sciences.

Similarly, Professor Lewis M. Terman of Stanford University has found that a vocabulary test is as accurate a measure of intelligence as any three units of the standard and accepted Stanford-Binet I. Q. tests.

Words are the tools of thinking. It naturally follows, then, that the more words you have at your command, the clearer and more accurate your thinking will be.

Words are your medium of exchange, the coin with which you do business with all those around you. With words you relate to people, communicate your feelings and thoughts to them, influence them, persuade them, control them. In short, through words you shape your own destiny. For your words are your personality; your vocabulary is you.

Words are explosive. Phrases are packed with TNT. A single word can destroy a friendship, can start or end a marital battle, can land a large order. The right phrases in the mouths of clerks have quadrupled the sales of a department store. The wrong words used by a campaign orator have lost an election. Four unfortunate words -- "Rum, Romanism, and Rebellion" -- used in a Republican campaign speech threw the Catholic vote and the Presidential victory to Grover Cleveland.

Armies fight for phrases: "Make the world safe for Democracy"; "V for Victory"; "Remember Pearl Harbor."

Words have changed the direction of history. Words can also change the direction of your life. They can raise a man from mediocrity to success.

We submit that if you methodically increase your vocabulary you will improve your chances for success.

This book enlists active cooperation, continuous written and oral response. It will test you every step of the way, it will demand unceasing feedback from you, and thus it will make words your friends and allies.

We expect to prove to you that developing a rich and robust vocabulary can be both fun and challenging.

Give us fifteen minutes a day, and we will guarantee that at the end of a month, when you have turned over the last page of this book, your words, your reading, your conversation, and your life will all have a new and deeper meaning for you.

For words can make you great!

Copyright 1942 by Wilfred Funk, Inc.,

copyright � 1970 by Funk & Wagnalls,

Most helpful customer reviews

55 of 59 people found the following review helpful.
Misleading title
By A Customer
While you can certainly finish the book in 30 days, you'll most likely forget the vocabularies in at least half of the chapters by the time you are done. The quiz in each chapter is useful. The diagnostic test at the beginning of the book can crush your self-esteem - which is to be redeemed after reading the book. "30 days" in the title is misleading, because readers probably need to go through the chapters again and again to make sure they truly remember the words. So make it "45-50 days to a more powerful vocabulary"!
Furthermore, believe it or not: it is not a bad cram book if you have less than 3 months to study for SAT or GRE! I find vocabulary builders (such as this title) much better study tools for SAT or GRE than conventional exam preparation guides like Princeton Review or Barron's - at least for the verbal section.

39 of 41 people found the following review helpful.
Excellent aid to a more powerful vocabulary
By Spencer S Tay
On the back cover there is the promise that the book will "make words your slaves". Well, not quite but with perseverance, you are destined to achieve at least 50% of the intended result. You need 30 days of persistent study and more days for reinforcement. A bonus is that by the end of the book you would probably be inspired to acquire a lifetime habit of increasing your vocabulary.
Those who find this book useful should also consider the brilliant "Word Power Made Easy" by Norman Lewis, one of the co-authors of this book.

0 of 0 people found the following review helpful.
in good condition. Very helpful and insightful
By Cherie
Book as described...in good condition. Very helpful and insightful. Would recommend.

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Minggu, 02 Februari 2014

[B623.Ebook] Download Ebook Mockingjay, by Suzanne Collins

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Mockingjay, by Suzanne Collins

Mockingjay, the final book in the New York Times bestselling Hunger Games series, is now available with all-new cover art from the feature film!

Katniss Everdeen, girl on fire, has survived. But her home has been destroyed. There are rebels. There are new leaders. A revolution is unfolding. . . .

The final book in the international bestselling Hunger Games series is soon to be a feature film.  Here is the original novel with exciting new movie artwork on the cover!

  • Sales Rank: #29936 in Books
  • Brand: Scholastic Paperbacks
  • Published on: 2014
  • Released on: 2014-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x 1.00" l, .0 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Scholastic Paperbacks

Amazon.com Review
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss. And what's worse, President Snow has made it clear that no one else is safe either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one of the most talked about books of the year.

A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games) Q: You have said from the start that The Hunger Games story was intended as a trilogy. Did it actually end the way you planned it from the beginning? A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, to the eventual outcome remained constant throughout the writing process. Q: We understand you worked on the initial screenplay for a film to be based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay? A: There were several significant differences. Time, for starters. When you're adapting a novel into a two-hour movie you can't take everything with you. The story has to be condensed to fit the new form. Then there's the question of how best to take a book told in the first person and present tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and are privy to all of her thoughts so you need a way to dramatize her inner world and to make it possible for other characters to exist outside of her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lot of things are acceptable on a page that wouldn't be on a screen. But how certain moments are depicted will ultimately be in the director's hands. Q: Are you able to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully that it is too difficult to think about new ideas? A: I have a few seeds of ideas floating around in my head but--given that much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges and I can begin to develop it. Q: The Hunger Games is an annual televised event in which one boy and one girl from each of the twelve districts is forced to participate in a fight-to-the-death on live TV. What do you think the appeal of reality television is--to both kids and adults? A: Well, they're often set up as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, it doesn't have the impact it should. Q: If you were forced to compete in the Hunger Games, what do you think your special skill would be? A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I was trained in sword-fighting, I guess my best hope would be to get hold of a rapier if there was one available. But the truth is I'd probably get about a four in Training. Q: What do you hope readers will come away with when they read The Hunger Games trilogy? A: Questions about how elements of the books might be relevant in their own lives. And, if they're disturbing, what they might do about them. Q: What were some of your favorite novels when you were a teen? A: A Tree Grows in Brooklyn by Betty Smith The Heart Is a Lonely Hunter by Carson McCullers Nineteen Eighty Four by George Orwell Anna Karenina by Leo Tolstoy Slaughterhouse-Five by Kurt Vonnegut A Wrinkle in Time by Madeleine L’Engle Lord of the Flies by William Golding Boris by Jaapter Haar Germinal by Emile Zola Dandelion Wine by Ray Bradbury

(Photo © Cap Pryor)

From School Library Journal
Grade 7 Up Following her subversive second victory in the Games, this one composed of winners from past years, Katniss has been adopted by rebel factions as their symbol for freedom and becomes the rallying point for the districts in a desperate bid to take down the Capitol and remove President Snow from power. But being the Mockingjay comes with a price as Katniss must come to terms with how much of her own humanity and sanity she can willingly sacrifice for the cause, her friends, and her family. Collins is absolutely ruthless in her depictions of war in all its cruelty, violence, and loss, leaving readers, in turn, repulsed, shocked, grieving and, finally, hopeful for the characters they've grown to empathize with and love. Mockingjay is a fitting end of the series that began with The Hunger Games (2008) and Catching Fire (2009) and will have the same lasting resonance as William Golding's Lord of the Flies and Stephen King's The Stand. However, the book is not a stand-alone; readers do need to be familiar with the first two titles in order to appreciate the events and characters in this one. Jane Henriksen Baird, Anchorage Public Library, AK (c) Copyright 2010.  Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Bookmarks Magazine
As might be expected for the last volume of a series whose popularity is just below that of Twilight and Harry Potter, much of the ink spent on Mockingjay recreates the great anticipation for the final volume and assures readers it is worth it. Many critics were unwilling to reveal any details of the plot, but those who did argued that what really makes Mockinjay entirely gripping is how it continues to successfully explore the violence and moral ambiguity raised by the first two books. Reviewers were also happy to add Katniss to the list of endearingly kick-ass young female action heroes. "This dystopic-fantasy series," noted the Washington Post, "has had such tremendous crossover appeal that teens and parents may discover themselves vying for--and talking about--the family copy of Mockingjay."

Most helpful customer reviews

162 of 167 people found the following review helpful.
The book came packaged nicely and arrived on time
By Michael Tatay
The book came packaged nicely and arrived on time. As a huge Hunger Games fan, I was extremely excited to receive this book. I've been completely obsessed with Hunger Games for several years, never miss any books or movies of it. The author’s imagination is amazing which draw me into the story so completely that it's hard to put the book down. Trust me, you won't be disappointed. All in all, this is a really good book which are a great gift for every Hunger Games fan!

17 of 17 people found the following review helpful.
An Awesome Ending. Anything else would have been unrealistic.
By Meerkat
Before reading The Hunger Games trilogy, I had more than a few people tell me the first two books were good, but the last one was lacking. I couldn't disagree more. The story is harsh, gruesome, and bleak. It had to be. It's a first person account of an individual who has survived two Hunger Games and plays a major role in a revolution. Of course it's going to be brutal. Had the story drawn to a close with Katniss standing majestically with trumpets blaring and flags waving, it would have been completely unrealistic.

I also heard a few people express disappointment in the conclusion of the Katniss/Peeta storyline. I've read people's reviews taking issue with how Katniss and Peeta are represented at the end of Mockingjay, asking "Where's the passion?" Passion? Are they insane? First of all, the story is told in first person by a character who is admittedly not at all comfortable being demonstrative and doesn't respond well to those who are. There was never going to be a hearts/candy/flowers declaration happening here. Peeta has a borderline obssessive love for Katniss throughout most of the trilogy. The way I read the story, by the end of the first Hunger Games, she returns the feeling. Though hesitant to think why she does the things she does, or to state it aloud, she expresses it in so many different ways throughout the remainder of the trilogy, there really is no doubt. Despite the fact that she is suffering major PTSD, she agrees to take on the stress of being the symbol of revolution and take a front line role to bring him back. Regardless of the amount of trauma they both endure, they still eventually turn back to each other. Gale was a strong character, but he had not gone through what Katniss did in the arena and would never have been able to understand that part of her. The time she spends clinging to him and avoiding Peeta is essentially an attempt to return to the person she was before the games (which was never going to happen). Peeta was the walking, living, breathing reminder of the trauma endured. I thought it telling that Peeta returned to Region 12. Like Gale, he could have gone anywhere when it was all over, yet he went where Katniss was. Really, Katniss, Peeta and Haymitch needed each other to become human again (or as human as they were ever going to be). Katniss reminded me of uncles I had who, when they returned from war, sat in a darkened room, staring at a wall day after day for over a year before they could handle being amongst the living again.

I'll admit part of me would have liked President Snow's demise to be more than it was. Considering the amount of suffering he caused, part of me is bloodthirsty enough to have wanted him to suffer a great deal more. There are also characters I would have liked to survive (Finnick, Cinna, and Prim to name a few), but their deaths helped to illustrate the randomness and unfairness of death in wartime.

There are parts of this story we'll never get to see because it is told from Katniss' point of view. We see only what she sees and know only what she thinks is going on. I, for one, would be interested in knowing more about events of the story from Peeta and/or Haymitch's point of view. Peeta's fight back from his memory hijacking would be an intriguing read.

Ultimately, I found this book engaging, infuriating, exhausting, and funny all at the same time. To have had Katniss serene and sweetly declaring life to be sunshine, lollipops, and rainbows would have been absurd. She is with a husband (partner?) whom she loves and is utterly devoted to. She has two children she loves, but is worried what they will think when they know the role their parents played in the past. She and Peeta are happy, but remain somewhat haunted which is perfectly realistic for what the characters have gone through.

21 of 22 people found the following review helpful.
Amazing
By Stephany Calero
I decided to purchase the series because I couldn't wait until the release of the last film to find out what happened with Peeta. I was going to skip to the last book because in my head, 2 months would not be enough to read the whole series and I feared not getting into them as much. Boy was I wrong.

My husband suggested I start from scratch as films always leave out a TON of detail and I'm so glad I listened to him. Once I started I could not put the books down and the cliffhangers at the end of each chapter always left you wanting to find out what happens next. The films do, in fact, leave out a TON of detail (and characters) and in just a week I went through the entire trilogy.

English is not my first language so the simplicity of the dialogue was a huge breath of fresh air. I often find myself avoiding Anglo literature because of the unnecessary complexity of the narrative and although this book was very easy to read it doesn't feel juvenile.

All in all, loved the series and would recommend them to anyone.

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